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The Library of Congress continues its month-long Bibliodiscotheque multidisciplinary series celebrating the legacy of disco with two films about the Latin dance music and culture that helped influence and fuel the genre. But their story is told without gimmick or fanfare. It really doesn’t matter how the plot, which has to do with a substantial windfall of much-needed money, all turns out. Hansberry’s work endures as a timeless jewel, and Arena’s production is a chance to see it truly shine. Fichandler Stage in the Mead Center for American Theater, 1101 6th St.

The best of this free double feature is Joe Cardona and Mario de Varona’s 2008 documentary about Celia Cruz, the late, legendary “La Reina” of salsa, the propulsive Latin dance genre. (Rhuaridh Marr) Described as a “rap robot puppet spectacle,” the latest show from Pointless Theatre features its signature puppets and original rap music produced and performed live by “ner DCore” artist Navi and two-time Helen Hayes-nominated composer Mike Winch.

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John Krasinski narrates the English version of this co-production with China’s Shanghai Media Group. The late Patrick Swayze reprises the role of Johnny Castle in a cameo in a movie that the Library touts as “an example of Latin dance music’s appropriation by American popular culture.” Saturday, April 29, at 1 p.m. The first screening is followed by a Q&A with the directors and a reception led by Andy Shallal, Donnell Perkins, Phillip Pannell and Earl Fowlkes.

(Rhuaridh Marr) The Library of Congress continues its month-long Bibliodiscotheque multidisciplinary series celebrating the legacy of disco with two films about the Latin dance music and culture that helped influence and fuel the genre. It closes with another French film, whimsical slapstick comedy by the husband-and-wife duo of directors/actors Fiona Gordon and Dominique Abel, on Sunday, April 30, at and 7 p.m. , serves as a guide to the culinary revolution taking place in the Holy Land. Sean Baker’s acclaimed 20l5 comedy-drama about a transgender sex worker struggling with the news that her boyfriend and pimp has been cheating on her with a cisgender woman.

The other is Guy Farland’s 2004 critically panned reimagining of , set against the backdrop of the Cuban Revolution in 1958. Now in its 31st year, the Washington, DC International Film Festival presents more than 60 features, documentaries and shorts from around the world. Call 202-274-5782 or visit for the full schedule and information on the various venues. The play addresses the struggles of assimilation and obsoletion within a changing power system.

The late Patrick Swayze reprises the role of Johnny Castle in a cameo in a movie that the Library touts as “an example of Latin dance music’s appropriation by American popular culture.” Saturday, April 29, at 1 p.m. The lineup is broken down into categories of comedy (“The Lighter Side”), crime and thrillers (“Trust No One”), music (“Rhythms On & Off the Screen”) and thought-provoking documentaries on themes of “Division & Debate” and “Justice Matters.” The festival closes with the whimsical French slapstick comedy by the husband-and-wife duo of directors/actors Fiona Gordon and Dominique Abel, on Sunday, April 30, at and 7 p.m. Particularly timely, given the ongoing battle between privacy rights and the need for everyone to apparently overshare everything about their life, James Ponsoldt’s thriller follows a young tech worker at a large internet corporation that is working to make 24/7 surveillance of every human a reality. The puppeteers are Becca Ballinger, Frank Cevarich, Madeline Key, Sydney Lo, Sadie Leigh Rothman, Matthew Sparacino, Matthew Strote, and Scott Whalen.

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