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He began his literary career as a novelist; as a fervent advocate of the new theatre of Ibsen (The Quintessence of Ibsenism, 1891) he decided to write plays in order to illustrate his criticism of the English stage.His earliest dramas were called appropriately Plays Pleasant and Unpleasant (1898). Warren's Profession savagely attack social hypocrisy, while in plays such as Arms and the Man and The Man of Destiny the criticism is less fierce.

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After working in an estate agent's office for a while he moved to London as a young man (1876), where he established himself as a leading music and theatre critic in the eighties and nineties and became a prominent member of the Fabian Society, for which he composed many pamphlets.

George Will writes a twice-weekly column on politics and domestic and foreign affairs.

He began his column with The Post in 1974, and he received the Pulitzer Prize for Commentary in 1977.

especially with an audience of Max Headroom fanatics, many of whom had just sat through an entire week of Max, watching every one of the produced episodes.

MAX HEADROOM was a really smart show, with some fine writing... But most of the viewers seemed to think "Xmas" was just as good as what had gone before, which gratified me no end.

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